Why Parasite is even more rewarding after a second watch

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Parasite’s 4 Academy Awards, consisting of the Oscar for Finest Photo, have actually raised the profile of the well-known movie to extraordinary brand-new heights. It’s back in theaters all over the world, providing audiences who lost out on its initial run a possibility to find what all the difficulty is about.

President Trump appears to have no interest in watching Parasite even as soon as; maybe the subtitles would be an issue for him? Lots of fans of the movie have actually discovered that Bong Joon-ho’s elaborately layered thriller, like a steaming-hot bowl of ram-don, just grows more satisfying with a second assisting.

We can’t get enough of Parasite at Polygon, so here are a few of the finer points that we detected when we saw the movie once again– which we definitely suggest doing.

[Ed. note: The following contains spoilers for Parasite.]


The Park family never ever looks down. This was a substantial relief in the first watching, due to the fact that it suggested the Kims might escape while concealing below beds and tables. When I saw the movie once again, it felt like more than a plot gadget: They actually do not care to look below them, due to the fact that why should they?


Something that stuck out upon second watching is how typically the characters comment on how “good” everybody elseis There’s the pointed line when Chung-sook informs her other half that the Parks are “good due to the fact that they’re abundant,” however the Park family likewise speaks about how good the Kim familyis Moon-gwang informs her other half that Chung-sook is a good woman. Even when computing to get Mr. Park’s motorist fired, Ki-jung points out that he appeared so good. Hearing everybody referred to as “good” feels specifically cutting when you understand the distinctly not-nice climax of the movie. The word is released so typically that it ends up being worthless.

Mr. Kim (Tune Kang-ho) is burning out of driving around the “young and basic” Mrs. Park.
Image: CJ Entertainment/Neon.


Parasite provides an informative evaluation of the misconception of raising yourself up by your proverbial bootstraps. It’s a trenchant class commentary in South Korea’s uniform society, however it’s maybe even more pertinent in the U.S., where race additional makes complex the matter. And it wasn’t till I rewatched the movie that I understood the connection to my own profession.

Ask individuals who oppose broad social programs about the thinking behind their position, and you’ll get an earful that will inform you something about their worthsystem A few of them will state they do not desire their tax dollars offered to “lazy” individuals who would rather live off a “federal government handout” than attempt to get a task. These folks might likewise conjure up a few of the ideas that comprise our glamorized cumulative vision of the American identity: an entrepreneurial spirit, rugged individualism, the Protestant work principles. There’s a likelihood of overlap in between this group and folks who oppose affirmative action and office variety efforts– the sort of individuals who assert that the existing system works due to the fact that it’s a meritocracy where the cream increases to the top.

The important things with cream, however, is that it’s fluffy and it’s white.

I envision Mr. Park certainly worked extremely hard to get where he is, running a tech business. What did Mr. Kim do to deserve his family’s semi-basement apartment or condo and low socioeconomic status? He attempted to start his own business, however his Taiwanese cake store went under– simply like that of Geun-sae, who’s required to conceal from shylock. The Kims need to take any work they can get, like minimum-wage tasks folding pizza boxes. How do they pull themselves out of hardship?

Mr. Park (Lee Sun-kyun) never ever desires the employed assistance to “cross the line.”
Image: CJ Entertainment/Neon.

They do not. Ki-woo has actually stopped working several college entryway tests, however lucks his method into a high-paying gig when his pal Min-hyuk suggests him as an English tutor for the Parks’ child. And how do the other Kims plan their method into tasks working for the Park family? Each of them suggests the next individual to Mr. or Mrs. Park. The Parks even employed their initial house cleaner, Moon-gwang, based on a recommendation from the estate’s previous owner.

Sure, the Kims have differing levels of certifications for the tasks they wind up with. These destitute individuals would’ve never ever had the chance to even communicate with individuals like the Parks– let alone become their employed assistance– without a possibility encounter in between pals. A suggestion from a relied on source, somebody you currently understand (or believe you do), is the supreme currency in the Parks’ upper-class world.

The very same is true in fields like journalism. It’s simple to inform an ambitious author to use to every task opening and pitch freelance pieces to anybody who’s asking. The truth is that without any efforts or rewards to diverge from the status quo, editors will tend to offer tasks to individuals they currently understand– and those individuals tend to look like them. In this kind of work, the default is whitemen As a member of an underrepresented group (women, individuals of color, LGBTQ people, and so on), it can be exceptionally tough to get employed when individuals in power, like the Parks in Parasite, can’t offer you a possibility due to the fact that they do not even understand you exist.


The expose that Geun-sae is living in the basement is partly so stunning due to the fact that there’s no real sign of him in the first half of the movie. There’s an apparent inform, nevertheless, that will sign up just for those enjoying Parasite a second time: Unexpectedly, the flickers of the lights above the actions in the Park family, which are exposed to be managed by Geun-sae by means of switches in the basement, ended up being more than simply set dressing. They’re secret missives that we have actually been neglecting because, like the Parks, we merely didn’t understand they existed.

The Parasite production team built this beautiful home. It’s a set!
Image: CJ Entertainment/Neon.


With the plot exposed– and no longer requiring to follow together with subtitles– I discovered myself inspecting Bong Joon-ho’s frames, which require to be inspected. Bong, infamous for drawing stacks of detailed storyboards that check out like a manga (a lot so that his Parasite illustrations will end up being a graphic novel later on this year), clicks shots into a larger image like his motion picture is a huge jigsaw puzzle.

That first pedestal shot below the apartment or condo windows right away develops both location and style: The Kim family lives below society. Their home, built bespoke by Bong’s production style team, traps them in the suffocating 2.35:1 element ratio as they practice lines for their big con. The estate breathes, and Bong takes full benefit, drawing back broad to luxuriate in the setting. Look carefully, and you start seeing the duality of the bad and abundant in so many of the compositions, from reflections in windowpanes to characters emerging from hidden places.

Bong provides the sort of enigmatic-but-meticulous instructions that makes you right away find explanations of the 180-degree rule, whether you’re a movie enthusiast or not. We have actually seen numerous films that simply shoot the action to communicate the story that the accuracy of Parasite feels like magic.


Great deals of things leapt out at me the second time around. There was the function odor plays in the story; how the old house cleaner brings herself in front of the Parks, then shows up with a black eye and a bloody lip to fulfill the Kims; how the Kims’ street was set out to highlight the flood, and the complexity of that whole built set. My mind still sticks around inside the shelter where a whole neighborhood is holed up for the night.

I discovered myself browsing the scene for the children that need to have existed, for the search their faces and how their moms and dads were tending to them. That’s when I discovered the stack of contributed clothing, and the patient employees supporting them while individuals shrieked in aggravation. And echoing in my mind that whole time was Mr. Kim’s words from the night prior to.

” You stated you had a strategy,” Ki-woo whispers to his dad late that night.

” You understand what sort of strategy never ever stops working?” Mr. Kim asks his child. “No strategy at all.”

The deep Korean consonants of the expression simply gurgle out of his mouth like blood.

” If you make a strategy, life never ever exercises that method,” he states, resting on a cot and still covered in sewage. “That’s why individuals should not make strategies. Without any strategy, absolutely nothing can fail.”

I have actually felt that sort of anguish prior to. I have actually indulged doubt, questioned what the hell I have actually gotten myself and my family into, and I have actually put my arm over my eyes so, to obstruct and attempt out the light. Out of the whole motion picture, that minute felt the most real to me as a dad. As a human helpless versus the wheels of the world around me. It’s ideal, and serves to put a bullet in the chamber for the motion picture’s final “kill shot

Ki-woo simply can’t quit making strategies. He can’t put aside the dream of going up that ladder. It’s going to destroy him and his family, and there’s absolutely nothing his dad can do about it.

I work as the Content Writer for Gaming Ideology. I play Quake like professionally. I love to write about games and have been writing about them for two years.

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